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Showing posts with label Digital Music News. Show all posts
Showing posts with label Digital Music News. Show all posts

Wednesday, November 2, 2011

Dubstep Is Now Officially Soundtracking a Southern Comfort TV Commercial

From http://blogs.sfweekly.com/


You're a wild type. A rebel. The kind of person who likes life a little spicier. The kind of person who wants a flash of Tabasco™ lighting up your shot of Southern Comfort™. Like a fling between liquor and pepper sauce, you're a radical -- you probably even listen to that dubstep music.


dubstep-soco-ad.jpg
​

Er, sorry, fans of bowel-shuddering wobble, but your favorite sound has just become a hipness signifier for the desperately uncool. Showing up in songs by Britney Spears and Maroon 5 probably told us dubstep was on its way here (along with brostep's ubiquity and Skrillex on the cover of SPIN, among many other signposts). But at least Skrillex looks a little scary, and -- real talk -- "Hold It Against Me" isn't so bad. Much worse, at least if you're dismayed by the distance dubstep has come from its gritty south London roots, is the gutbomb of subterranean rumble now bringing a Southern Comfort TV spot to its climax. Witness:






The track is an instrumental version of Crush Effect's "Burn it Down," featuring Vokab Company (here's the original), but does it really matter? Capitalist America found one of the darkest, most uncompromising movements in recent music, got it drunk on sweetened booze and watery hot sauce in a New Orleans bar, and is now fucking it senselessly for as much cool juice as possible. The worst part is that it's brilliant -- SoCo was a preferred slurp of the rubgy-shirt-and-golf-visor set where we went to school, and aren't those same dudes right now torturing their dorm-mates with Rusko?

Dubstep purists, we know you are dismayed, but deal with it. The best underground movements are only hot stars being inevitably pulled into the black hole of commercial usefulness at the center of the musical galaxy. But it probably didn't help that Burial titled one of his tracks "Southern Comfort."



Monday, October 10, 2011

Some Superb Live Zelda Music



Uploaded by on Jul 23, 2010

Thx you everybody for your support ! share to your friends :)


Here is our new video after a long time !! (this time it's the real one !)
Music from Zelda, koji Kondo

Enjoy! ;)

Yumeduo

ps: We know that we need a little hair cut :p

Friday, September 2, 2011

Gorillaz Frontman Streams Quirky New Songs From Congo

From: http://mashable.com/2011/08/30/drc-music-songs-congo/




Last month we told you about how Damon Albarn, the frontman for Gorillaz and Blur, packed up his music gear and a bunch of his producer friends to make a charity album in the Congo.

The project, called DRC Music, has released three songs and an album teaser video. The site has been providing constant video and audio updates including clips of Albarn working with local musicians and explaining the crisis in the Democratic Republic of Congo (DRC).

Albarn and his team created the album in partnership with Oxfam. All proceeds from the album’s sale will go towards supporting Oxfam‘s work in the DRC.

One of the best parts of this project is the obvious care and respect the Western producers paid to local musicians and traditions. The three tracks below not only feature local musicians, but play on musical characteristics and patterns from the DRC. It’s not just a way to turn a buck, but also shine a spotlight on the rich musical history of the region.

Take a listen to the tracks below from the album, “Kinshasa One Two,” and the video above and let us know in the comments what you make of the DRC Music project.
Hallo (featuring Tout Puissant Mukalo and Nelly Liyemge) by DRC Music

Ah Congo (featuring Jupiter Bokondji and Bokatola System) by DRC Music
Lingala (featuring Bokatola System and Evala Litongo) by DRC Music
You can find more at DRC Music’s Soundcloud page.

Friday, July 29, 2011

How To Keep Your iTunes Library When It Won’t Fit on Your Hard Drive


Ultraportable notebooks are finally fast enough that we can use them as our main machines. But damn, the SSDs they pack are small—how are you supposed to fit your entire music library on one of these? You're not.

Get that music off your hard drive, bawse. First off, you can get a lot of mileage out of streaming music services; there's no need to tote all 25 Air Supply albums around with you. But for the rest of your musical needs—those Phish bootlegs and Marky Mark freestyle sessions—consider getting your songs a second home.

First Things First: Get the Music off Your Old Computer
Say you just picked up one of those shiny new MacBook Airs that everyone loves—instead of just migrating everything over from your old machine, be selective. Before you do anything with your new computer, though, you need to get your iTunes music library off your old computer. Luckily, doing that is very simple. And these instructions work for Mac or PC.

How To Keep Your iTunes Library When It Won't Fit on Your Hard Drive
 
Tell iTunes Where You Want to Dump Your Music
1) Make sure your old computer is running the latest version of iTunes. There shouldn't be an issue with loading a library from an older version of iTunes to a newer one, but do it just to be safe.
2) You'll want to create a new location for your default iTunes Music folder on whichever external drive you plan to use. To do this, go to the menu bar and click iTunes > Preferences....
3) From there, you want to click the Advanced tab. The first item in the list will be the iTunes Media Folder location.
4) Click the button to the right that says Change, and either select a folder in your external harddrive that you'll want to use, or create a new folder. Once you've selected a folder, click OK to exit the preferences menu.

How To Keep Your iTunes Library When It Won't Fit on Your Hard Drive
 
Then Dump Your Music
1) Once you've selected a new location for your music files, return to your music library.
2) From there, go back up to the menubar and click File > Library > Organize Library.
3) Check the box that says Consolidate Library and hit OK.
This will begin the process of copying all your music files into one folder (the one you previously designated) on your external hard drive. Depending on how many songs you have, this could take a while.

Copy Your iTunes Database to an External Drive
You've spent years rating songs and building playlists—don't give them up! To make sure those musical memories aren't lost, you're gonna want to copy over your iTunes library database from your old computer to your external harddrive.
1) Go into your Music folder (where the iTunes folder is stored by default), or wherever you've decided store your iTunes library files.
2) There should be a folder simply named iTunes. If there are any music files in the folder (which would be found in iTunes > iTunes Media > Music), delete those files, but nothing else.
3) Then, drag/copy that folder to your external HDD in its entirety. Now you're ready to move to the new computer.

Now, What Are You going to Do With All That Music?
Now you know how to offload your entire iTunes Library to an external drive, but should it be a NAS or a standard drive? Or should you upload to a cloud storage locker? There are pros and cons to each, depending on how you live your life.
How To Keep Your iTunes Library When It Won't Fit on Your Hard Drive
 
Option 1: Keep Your Music on a Standard External Drive
If you're in lurve with iTunes, have a lot of Apple-DRM'd content, actively manage an army of iOS devices, or just spend a lot of time listening to music on your computer, importing your old iTunes database onto your new computer and pulling your library from an external drive is a great bet. It'll look like it's all right there on your machine, just like the old days. That said, you have to plug into said hard drive to get at your stuff.
But if you're the kind of cat who plugs into a USB hub or a notebook doc when you're at home anyway, this solution is perfect. Especially if you want the ability to sync your iOS device without formatting it again, and be able to access all your old ratings, playlists and playcounts. Here's how to do it:
1) If you've already installed iTunes, make sure it isn't running.
2) Locate the Music folder on your new computer. If you've already installed iTunes, there should be a folder named iTunes there. Delete it.
3) In a new window, locate the folder named iTunes you copied to your external HDD.
4) Copy that iTunes folder into your computer's Music folder.
5) Now it's time to open iTunes. Hold down the option key while launching iTunes.
6) iTunes will ask whether you want to create a library or choose a library. Select Choose library, then navigate to your Music folder, then your iTunes folder on your computer and double click iTunes Library.itl.
7) If everything went according to plan, your music library should have made smoothly made the transition to a new computer and external harddrive.
But let's say there's music you know you'll want to listen to when you're not connected to your drive—your work or studying playlist, for example. You can actually set up a separate, smaller library, and it won't get mixed up with your main megalibrary, either. It's a little advanced, but you can handle it:
1) Hold down option when opening iTunes.
2) When asked if you want to Create a Library or Choose a Library, select Create Library.
3) Name the library whatever you want, but something logical like "Music on Laptop" probably makes sense.
4) Drag any music files you want from your external harddrive into the Music folder of your computer.
5) Once they've been copied over, drag those files into the iTunes app, where they will appear.
6) Now you have a separate library of music stored locally. To switch back to the library with the songs stored on your external drive, quit iTunes, relaunch iTunes (while holding down the option key), elect to choose which library you want to open, and find the iTunes library in your Music folder you initially copied over to your laptop.

Option 2: Stream it From a NAS Drive
The second thing you can do is to keep all your music on a NAS drive, which means you can access files over your local network without having to directly connect your computer to the drive.

This is great if you have a lot of DLNA streaming devices like a Sonos system or Boxee Box. And once you've offloaded your music from your old computer (follow the same steps as above, just select the network-attached drive instead of a USB-linked one), all you have to do is tell the device where to look on the drive.
As far as working with iTunes, a NAS drive isn't perfect for managing and syncing files to devices (it's sloooow), but once you've imported your tracks into the library, it streams pretty well, depending on the speed of your network. You can also get a NAS that supports the iTunes server feature, where all your music will show up in your local iTunes library as a streaming playlist.

Option 3: Stick it in the Cloud
If priority #1 for you is having your music accessible ANYWHERE you go, there's always the cloud. There are currently only two services that are worth looking into: Google Music and Amazon Cloud Drive.
Neither is perfect, but they both more or less do what they say they'll do, which is make your music available to you anywhere you go. You can stream in a browser or an Android device, and if you want it locally, you can pull files from the cloud. Each service uploads in its own way, but what the two have in common is a particular disdain for your musical metadata. Playcounts and ratings go out the window of the magical airship that ferries your music to the firmament.

Also, if you suffer from data caps or sucky bandwidth, the cloud will likely rain on your parade. Furthermore, if you have a massive music library, storing large chunks of music in the cloud can get costly. Amazon offers up 20, 50, 100, 200 and 500 gigabyte chunks of storage at a cost that breaks down to a dollar per gig per year (ie, 50GB=$50/year). Google Music is still in beta and working out its pricing.

So now you can rest easier knowing you have three solid housing options for your music library now that's it has moved out of your laptop. Which one you pick ultimately comes down to your listening habits, but one thing is clear: a big laptop hard drive is no longer a must.

Thursday, July 28, 2011

Is this the end of in-car CD players? Ford scraps 'old' technology for digital entertainment

By Inderdeep Bains
From: http://www.dailymail.co.uk/

Scrabbling around the car for a new CD to listen to on the road could soon be a thing of the past.

Ford hopes to usher in a digital age for in-car entertainment by binning CD players in its new models.

The company plans to help drivers to access their libraries of digital music via the internet.

Ford hopes to usher in a digital age for in-car entertainment by binning CD players in its new models
Old school: Ford hopes to usher in a digital age for in-car entertainment by binning CD players in its new models

It has become the first mainstream manufacturer to scrap the in-car CD multichanger.
The car maker’s latest Focus model will instead include a USB socket allowing digital music players to be plugged in.

 
The new cars will have the Sync ‘infotainment hub’ that lets drivers access their music library through the internet by plugging in a device called a dongle, which enables Wi-Fi.
This would facilitate using devices such as iPods, iPhones and other digital music players.


The in-car computer ‘hub’ can then access digital libraries stored on the internet, be it through Spotifiy or Apple’s iCloud. 


Ford expects two million Focus cars in Europe to have its Sync system by 2015
Ford expects two million Focus cars in Europe to have its Sync system by 2015 

Sheryl Connelly, Global Trends and Futuring manager at Ford, said the move was necessary if the company wanted to keep up with the needs of its customers.

'In-car entertainment technology is moving digital more rapidly than almost any other element of the vehicle experience,' she said. 


'The in-car CD player - much like pay telephones - is destined to fade away in the face of exciting new technology.'

Ford said sales of in-car CD players were declining rapidly, in line with falling sales of the discs. 


In 2010, sales of physical music albums fell 12.4 per cent, while those of digital versions rose by 30.6 per cent in the UK.

Ford expects two million cars in Europe to have its Sync system by 2015.

Wednesday, July 27, 2011

The First Trailer and Exclusive Poster for 'Pearl Jam Twenty' Makes Us Miss Our Teen Angst Years


By Aiden Redmond
From http://blog.moviefone.com/
 
If you're one of the many who remember the day you first bought Pearl Jam's debut album, 'Ten,' and then listened to it until the cassette melted into your stereo, then get ready to feel old. Yup, it's been a full 20 years since 'Ten' came out and established Pearl Jam as one of the defining voices of the grunge era, and not only have they been kicking ass ever since, but apparently they've been filming their musical journey all along.

With an upcoming tour on the horizon to celebrate their 20th anniversary as band, we now have our hands on the first trailer and exclusive poster for the upcoming rockumentary, 'Pearl Jam Twenty.' As per the studio:
'Pearl Jam Twenty' chronicles the years leading up to the band's formation, the chaos that ensued soon-after their rise to megastardom, their step back from center stage, and the creation of a trusted circle that would surround them -- giving way to a work culture that would sustain them. Told in big themes and bold colors with blistering sound, the film is carved from over 1,200 hours of rarely-seen and never-before seen footage spanning the band's career. 'Pearl Jam Twenty' is the definitive portrait of Pearl Jam: part concert film, part intimate insider-hang, part testimonial to the power of music and uncompromising artists."
Check out the trailer and the poster:



They're definitely going for the 'U2 3D' effect with the poster, but who cares -- this will be awesome and it's sure to have one hell of a soundtrack.

Directed by Cameron Crowe, it's set to hit theaters on Sept. 20 for one night only before getting a week-long run on Sept. 23, and it features the many members of Pearl Jam (obviously) along with appearances from Soundgarden's Chris Cornell and the late, great Layne Staley from Alice in Chains. We don't know about you, but we're already dusting off our ripped jeans and plaid flannel for this one.

How excited are you for 'Pearl Jam 20?'

Monday, July 25, 2011

The most downloaded song recorded in the 20th century turns 30 - Journey's "Don't Stop Believin"

By Jim Axelrod


Journey on CBS' "Sunday Morning," July 24, 2011. (CBS)
(CBS News) 
Thirty years after releasing their hit song, "Don't Stop Believin'" to the world, the rock band Journey is still believing in the uplifting power of what it says - and that includes band's newest member. Sunday Morning's Jim Axelrod presents A Summer Song:

It's been on Journey's set list every night for three decades running.

"Do you guys ever do a show without 'Don't Stop Believin'?" asks Jim Axelrod. 

"We haven't," laughs Journey's Jonathan Cain. "Not since it's been written, no."

"You'd have a revolt from the audience, wouldn't you?" asks Axelrod.

"Yeah, I think they would be throwing stuff at us," says Neal Schon, the band's guitarist.

It may have started as solely Journey's song - but it belongs to all of us now. The most covered, karaoked, and parodied song in modern music history.

From baseball to Broadway, Journey's "Don't Stop Believin'" has become a national anthem of sorts - and with digital sales at almost four and a half million, it is officially the most downloaded song ever recorded in the 20th century.

"You know, we did something right in the studio," says Cain. "We did something right when we wrote the song. You know, we hit a chord."

It began as the brainchild of keyboard player Jonathan Cain, who had been laboring in obscurity in 1980 with a band called the Babys, when he got the chance to join Journey. It was a dream shot nobody could have predicted. Well, almost nobody.


"I was starving before I hit Journey," Cain remembers. "Very, very rough times...I didn't know where the next pay check was gonna come. I sold stereos. I quit the business. I was so lost, you know? And I was borrowing money from my father, who wouldn't let me come back to Chicago. He said, 'You stay there. Something good is gonna happen. Don't stop believing.' And he would always say that to me. 'Don't stop believing, Jon.'"

Armed with his father's advice and the seeds of a song, Cain sat down with guitarist Neal Schon and then-lead-singer Steve Perry. Within an afternoon, Cain's catchy chorus was transformed into a rock'n'roll classic.

"When you came in with the chorus--that's all you had, right?" asks Axelrod.
"Yeah," says Cain. "We worked backwards. So the way we put it together was...you do the rolling piano thing you do."

"And I picked up the bass, and I [start singing]," continues Schon. "And with the little breakdown guitar-- it's not a guitar solo but a train."

"I heard his guitar, and I said 'that sounds like a train to me,'" Cain laughs. "And I go 'don't you love that song, Midnight train to Georgia?' And Steve goes, 'yeah.' I go, 'it's the midnight train going anywhere.'"

While it barely broke the billboard top ten in 1981 as a single, "Don't Stop Believin'" anchored Journey's monster album "Escape" - which went straight to No. 1 that year. Still, when the band broke up six years later, it looked like "DSB" would slide off into the realm of rock'n'roll nostalgia, rarely to be heard from again.

Until 1998, when a string quartet provided the soundtrack for Adam Sandler being left at the altar in "The Wedding Singer," dusting off the song for the first time in more than a decade. While seven other movies and more than a dozen television shows would borrow it, including the cliffhanging series finale of the Sopranos, no one sent the song into the stratosphere quite like the harmonic and hormonal misfits of "Glee."

Adam Anders is Glee's executive music producer, who says the show's creators originally wanted Coldplay's "Viva la Vida" to be the pilot episode's killer closer, but were denied permission to use it. The rest, Anders says, is Gleek history.

"Why would Journey take such a chance on something that nobody had any idea if it would succeed?" asks Axelrod.

"Maybe it was the premise," says Anders. "You know, the underdog... But obviously something struck a chord with them, and they let us have the song. And I'm so glad they did because I don't think any other song could have done for Glee was 'Don't Stop Believin' did."

That boulevard is a two-way street. After Glee's premiere, Journey saw an 87 percent spike in sales. And the Glee cast version of "Don't Stop" has sold over one million downloads - making it their best-selling song.

But perhaps no one can relate more than the man who's singing it for Journey now. Just four years ago, Arnel Pineda was a singer in a smoky room - fronting a Filipino cover band - when Neal Schon, searching for a replacement for the retired lead singer Steve Perry, found Arnel on YouTube.

"I heard his voice and I went, whoa. I go, 'who is that?'" remembers Schon. "And I was just completely taken back by his voice. I just went, this guy's incredible. We gotta find him."

But what the band didn't know was that Arnel was singing to survive. His mother died when he was just 13, after a long illness that left the family bankrupt. He ended up homeless, sleeping in a park in Manila, collecting scrap metal to scrape up enough money to eat.

"I'm not sure I know a life story to whom this concept applies any more than yours," says Axelrod.
"Even before I discovered 'Don't Stop Believin', it has been my motto, you know, to never stop believing in myself," Pineda says, choking back tears. "The life that I've gone through. You know, all those hardships-- that I-- you see, I never-- I never stopped believing that someday there is something magical that will happen in my life."

"Never in my, like, entire life here on earth, that I would ever, ever stumble upon this kind of magic," Pineda continues. "Playing to all of these people around the world... What a ride. You know?"

Arnel's 2008 Journey debut album, Revelation, went platinum and spawned a successful world tour - including a triumphant homecoming concert in Manila for 30,000 of Arnel's countrymen.

The most meaningful part of the trip took place away from the roar of the crowd - when Arnel took his band mates back to the park he'd once called home. The visit was captured for a soon-to-be released documentary called "Every Man's Journey."

"That must have been a moment of great cohesion for this new incarnation of Journey," says Axelrod.
"Absolutely," says Cain. "He's made our camp a better camp. You know? His spirituality. His faith. His belief. You know, it's strong."

And it was the start of Journey's next chapter. Their new album, Eclipse, features a song called "City of Hope," inspired by the work Arnel is doing as the head of his own foundation, providing underprivileged Filipino children education and healthcare.

"I just want to give back," Pineda says. "So every time I'm free, I get to reach out and look out for these kids and help for them anyway I can. And I think this will be my advocacy. You know, to put them back to school."

"Advocacy and legacy," Axelrod suggests.

"Hopefully yes," says Pineda.

But Journey's lasting legacy is without a doubt that one signature song - which, whether they like it or not, they'll be playing tonight. And tomorrow night. And the night after that.

For more info:

Thursday, July 7, 2011

Dell Sets Stage to Take On Apple's iCloud


Dell

With a new release of its Stage software, Dell has quietly created a cloud-based service offering that could offer consumers a compelling reason to keep investing in Dell devices.

The new release, which began shipping last week, allows users who snap a picture with a Dell Streak or other Dell mobile device to automatically upload it to a pool of free, shared cloud storage. The new software also allows devices to remotely control and play back shared audio and video, plus other services.

For consumers, Dell's Stage release is probably more important than the new "More You" ads that began playing this week. One of the results that emerged as Dell began the market research behind the "More You" campaign is that customers, unsurprisingly, have begun to use PCs and mobile devices to store their digital memories.

"We asked them, what is so important about that computer... and whether [the respondent] was Chinese, Japanese, or Indian, ultimately it was because 'my life is on that thing,'" said Paul-Henri Ferrand, the chief marketing officer of Dell's global consumer business and SMB, and also president of Dell's Asia-Pacific/Japan business.

Stage is an attempt to take that digital content and allow users to control and manage it effortlessly, said Tim Peters, a vice president responsible for platform strategy within Dell. Within the PC, it cuts across Dell's XPS, Inspiron, and Alienware brands, and can be controlled from Dell's mobile devices. "It's a critical part of the Dell experience," Peters said.

What's new: remote cloud storage, photo uploads, and more

The Stage software, which Dell began shipping last year, appears as a set of square tiles on a user's PC, with various categories like "Books," "Photos," and "Apps". The new release makes each tile 3D, versus the two-dimensional images that appeared in the older version of Stage.

Any time a user snaps a digital photo with a Stage-enabled device, the new Stage software automatically uploads it to a free 2-Gbyte pool of storage. (Any content can be stored there, according to a Dell spokesman, including movies, pictures, and music.) Users can purchase additional capacity, including 5 Gbytes for $19.99/year, 25 Gbytes for $49.99/yr, and 100 Gbytes for $149.99/yr.

Automatic photo uploads is a feature reserved for just a few services at this point, among them Google's Google's latest Google+. Storing music in the cloud has also been the domain of other services, most notably Apple's iCloud.

Audio and video can be remotely controlled via Stage devices, Dell executives said. Dell has also added support for podcasts; an integrated Noisey application, which showcases music from all over the world; and an enhanced Napster home page.

Dell began life as a hyper-efficient box builder, known for its "just in time" strategy of managing inventory efficiently than anything else. If buyers wanted the latest Intel microprocessor, they bought it from Dell. Years later, however, leadership in the PC space has evolved into a competition whose products are differentiated using design, services, and price as metrics. Ferrand described his business as a "brand war," where Dell is aspiring to become something like an Audi of the PC world, where the quality of its fit and finish is complemented by a faith in its superior engineering.

"With Stage, we're building to the experiences of people, rather than building to specs," Ferrand said.

For more from Mark, follow him on Twitter @MarkHachman.

Spotify Coming to the US, Get Invited

Ernesto
from http://torrentfreak.com/

Today the music streaming application Spotify announced that it will be available to U.S. users soon.

When Spotify launched their first beta in the fall of 2008, we branded it “an alternative to music piracy.”

Having the option to stream millions of tracks supported by an occasional ad, or free of ads for a small monthly fee, Spotify appeared to be serious competitor to music piracy.

In the two years that followed Spotify rapidly won the hearts and minds of many music fans, but the more than 10 million users come from a few European countries only.

This is about to change according to Spotify.

If you’re from the U.S. and interested in giving Spotify a try, get in line now.


Spotify Coming to the US

spotify

Monday, June 13, 2011

Strung Out On A Lazer Harp: Q&A With Radium Audio

by Kevin Holmes
from http://www.thecreatorsproject.com/

110520_moco_at-radium-studios_dsc5690_original_slide



Radium Audio are, an audio collective that plays around with sound. They create innovative sonic branding and audio design, always searching for that ever-elusive “sound that stirs emotion.” They have a sound lab in East London where they conduct their musical experiments, make instruments and create interactive designs. They recently notified us of their latest creation: a lazer harp that can control sound and stills. Seeing as how we’re big fans of lazers, the project naturally piqued our interest, so we emailed them to find out some more about this mystical new musical instrument.
The Creators Project: So, obvious question here… how come the lazer harp?

Radium Audio
: It’s been on the table for quite a long time. We had often talked about building something beautiful and magical using two of our favorite things: lazers and sound. When we were invited to represent sound at the F5 motiongraphics event in NYC, we decided the time was right to finally get on and build one!
How does your lazer harp differ from other lazer harps?

We did an audit on existing lazer harps, from the first ones built in the 1970s by Geoff Rose and Tim Walsh, via Jean-Michelle Jarre and his followers, up to the modern ones described on internet DIY sites, and we found that all of them were basically showpieces and not designed as a serious musical instrument. They were all monophonic—ours is polyphonic with selectable scales. They were not ergonomically designed for smooth and fast playing, rather for stage show effects. Our design is based on ergonomics and how a player can move his hands in a comfortable way over the beams—like a guitar neck, actually. Our harp is also velocity-sensitive to allow the same dynamics as a traditional piano keyboard.

Can you briefly explain how you built it?

First we made a wood mock-up with strings as beams, testing out sizes and angles to get it right. Then we made a thorough list of features we wanted to put inside it and then the design evolved from that. We passed through a number of prototypes before we got to the design we’ve used.

You’ve said the lazer harp controls video and stills, how does this work?

The lazer harp is basically a MIDI keyboard. We are using the MIDI control signals to control graphics as well as sound. This is a feature of the performance software we have developed for internal use.

Radium Audio Lazer Harp from Kevin Holmes on Vimeo.



What other instruments are you building?

We are currently building a series of hand gesture controllers, some using lazer beams and some using invisible sensors like IR [infrared] and similar. We have also developed middleware that turns “nonartistic” devices—such as bar code readers for example—into controllers for sound and visuals. And we have a number of other solutions up our sleeve that we cannot talk about openly just yet :) Just wait and see.

How dramatically do you see musical instruments evolving over the next 5-10 years?

Imagine the time when humans started to understand how to use—shape and control—wood and the revolution coming from that in terms of instrument making, all the possibilities: guitars, drums, violins and more. Now, consider the fact that it took quite a while from that point in time until we were able to build things like the Stradivarius violins, although it was built from the same material.

We are now at the end of a period in time when electronics and micro-processors have emerged as a major tool in musical instrument design—samplers, synthesizers and much more are all around us. However, we are still waiting for the Stradivariuses. Honestly, there’s quite a lot of bad design going around in the musical instrument world, especially in software-based devices. So, we are moving into the next phase: developing really good designs. It probably means that there will be few new basic technologies but, hopefully, a lot of improvements on designs. We are still waiting for the electronic instruments that you can buy at the age of 17 and live with for a lifetime, still evolving and finding out new things when you are 75. You can do that with a violin, why not with an electronic instrument ?

All images courtesy of Radium Audio

Tuesday, May 17, 2011

Danger Mouse Teams Up with Jack White on Cinematic 'Rome'

Also: Stream new music by Tyler the Creator, Moby, Tinie Tempah, Cass McCombs and Britney Spears



By Matthew Perpetua

In this week's slate of Rolling Stone reviews, Will Hermes approves of superproducer Danger Mouse and composer Daniele Luppi's Rome, a "15-track score to a film that exists only in your head" featuring vocals by Jack White and Norah Jones. He says that the tracks featuring White and Jones are quite good, but ultimately the record "is as much about sublime instrumentals — made of celesta, harpsichord, Hammond organ, strings, nasty funk guitar and those weird-ass choirs — as lead singers." Also, Jon Dolan praises Tyler, the Creator's controversial new album Goblin, observing that despite all the rapper's bile, his songs hint at a "boyish innocence." Lauren Sloss is less fond of songwriter Cass McCombs' latest, Wit's End, which she says is "difficult to listen to without a side of Prozac, or at least a stiff drink."

ALBUMS

Danger Mouse and Daniele Luppi - Rome (stream full album)

Tyler, the Creator - Goblin (stream one song)

The Lonely Island - Turtleneck & Chain (stream one song)

Sixx: A.M. - This Is Gonna Hurt (stream one song)

Curren$y - Covert Coup (stream one song)

Cass McCombs - Wit's End (stream one song)

Tinie Tempah - Disc-Overy (stream one song)

Ben Harper - Give Till Its Gone (stream one song)

Iggy Pop - Roadkill Rising: The Bootleg Collection

Moby - Destroyed (stream one song)

Matthew Morrison - Matthew Morrison (stream one song)

Robert Johnson - The Complete Recordings (stream one song)

The Kinks - Kinda Kinks

The Kinks - Kontroversy

The Kinks - The Kinks

Aretha Franklin - A Woman Falling Out of Love

The Raveonettes - Raven in the Grave (stream one song)

SONGS

Britney Spears featuring Nicki Minaj and Ke$ha "Till the World Ends (The Femme Fatale Remix)" (stream)

Bad Meets Evil "Fast Lane" (stream)

Miley Cyrus "Smells Like Teen Spirit (Live)" (stream)

Wednesday, May 11, 2011

Google Music Beta versus the titans of the streaming music space: a chart

By Sean Hollister
From http://www.engadget.com/

It feels like just yesterday we charted the streaming music landscape, but it's already changed in a big way -- Google is muscling in on the likes of Rhapsody, Pandora and particularly Amazon with its Google Music Beta. Being able to take 20,000 of your personal tunes, stream them over the web and cache them locally on your device isn't functionality to sneeze at, so it's time we updated our charts. After the break, see how the big streaming services stack up.


Service: Google Music Beta Amazon Cloud Player

Price: Free... for now, by invitation only, in the US. Stores 20,000 songs. Between $20/year (20 GB) and $1,000/year for 1 TB
Trial None 5 GB free storage
Type of streaming: Cloud Cloud
What you pay for: Nothing, yet Additional storage capacity
Mobile reach: Only Android 2.2+ Android and iOS
Unique Features: Locally cached songs, custom playlists with cloud sync, iTunes import Access to Amazon's MP3 store


Service: Pandora Slacker MOG Rhapsody

Price: $36/year $4.99/month ($3.99 annual pass) $9.99/month $9.99/month (1 device); $14.99 for 3
Trial: 40 free hours/month Freemium model 14 days free 14 days free
Type of Streaming: Radio stations Radio stations On-demand, radio stations On-demand
What you pay for: Ad-free, higher bit rate, desktop app Ad-free, unlimited song skips, lyrics, offline caching Unlimited song streaming, downloads for offline listening Unlimited song streaming, downloads
Mobile reach: iOS, Android, BlackBerry, WebOS iOS, Android, BlackBerry, WebOS, WP7 iOS, Android iOS, Android, BlackBerry, WP7
Unique features: Thumbs up/down See which artist is up next in the queue Personalized radio based off existing queue Option to stream on 3 mobile devices


Service: Rdio Napster Zune Pass

Price: $4.99/month on desktop web; $9.99 on mobile $5/month web-only; $10 mobile and web $15/month
Trial 7 days 7 days 14 days
Type of streaming: On-demand On-demand On-demand
What you pay for: Unlimited song access, sync mobile to desktop Unlimited song access Unlimited access, 10 free downloads per month
Mobile reach: iOS, Android, BlackBerry iOS, Android, BlackBerry WP7, Zune Marketplace
Unique Features: Can be used on Sonos and Roku Military discount of 30% off subscription services Option to keep 10 downloads per month

Friday, May 6, 2011

Shpongle presents: The Shpongletron Experience Live at The Royale in Boston

Friday, April 29, 2011

iPhone turntable concept brings dropped calls to your record collection

Any audiophile worth their weight in 180 gram vinyl will gladly tell you that nothing sounds quite as good as a record. Unfortunately, the format has a few major drawbacks, like a lack of portability and the fact that it really sucks at making phone calls. The iPhone, on the other hand, is light years ahead of those fronts -- well, one of out two ain't bad. This new concept from designer Olivier Meynard offers the best of both worlds, embedding a horizontal iPhone dock next to a wheel of steel, so you can play back your favorite LP through the built-in speakers and encode those tracks as MP3s, which are uploaded to your handset as it charges. Finally, a way to turn your long out of print prog rock albums into ringtones, as they were meant to be heard.

Tuesday, April 26, 2011

Beastie Boys' 'Hot Sauce Committee Pt. 2'

by Andrew Martin
from http://www.prefixmag.com/

I know what some of you are thinking: "Wait, didn't you guys make a post just like this on Saturday?" Well, yes, kind of. The Beastie Boys have decided to give bootleggers the middle-finger and just uploaded the entirety of Hot Sauce Committee Pt. 2 to their Soundcloud account (and website). Clean versions of the album hit blogs and torrent sites over the weekend -- you know, after they live-streamed the thing from Madison Square Garden via boombox. But this is the official, non-live stream of the album. It's also dirty, CD-quality, and ready for you to play the shit out of until the album is released next Tuesday.

Listen to Hot Sauce Committee Pt. 2, which drops May 3, below.

Hot Sauce Committee Part Two by Beastie Boys

Monday, March 7, 2011

New Music From Broken Bells

by: ROBIN HILTON
From: http://www.npr.org/


Fortunately we don't have to wait long for more new music from the duo. The two plan to release a new, four-track EP on March 29 called Meyrin Fields. It includes the strutting, spaghetti-western-electro–rock-and-pop romp "Windows."
The songs on Meyrin Fields were originally recorded during the Broken Bells sessions, but aren't B-sides. Mercer and Burton say the cuts just didn't fit with the flow of the other songs. In addition to "Windows," the EP includes "Heartless Empire," "An Easy Life," and the title track, "Meyrin Fields."
More on Meyrin Fields at Broken Bells' website.

Thursday, February 24, 2011

Foo Fighters Debut New Single Online

By Joseph Oliveto
From  http://beatcrave.com/
 

foofightersjcoJan42 Foo Fighters Debut New Single Online

With a new album on the way and a major tour in the near future, it’s safe to say that a lot of alt-rock music fans have been interested to see what the Foo Fighters have in store for them. Since the band’s start in the 90s, they’ve risen to rock mega-stardom and asserted their place as one of music’s most popular acts.
Well, today we have our first hint of what we can expect from the upcoming release Wasting Light. The band released the first single off the album, “Rope,” on their official website. Read on to see our thoughts and find out where you can listen to the song for yourself…


It’s not good to judge any song based on an initial reaction, but ours isn’t too enthusiastic. We wouldn’t go so far as to say this is a bad song, but it’s not nearly as heartfelt as “Everlong,” as energetic as “Breakout,” or as fun as “Big Me.” Even the band’s more recent tunes, generic as they may have been, were at least fairly catchy. “Rope,” aside from the production effects at the beginning, could easily be mistaken for a throwaway track from a local garage band trying to bring back grunge. It’s not what we expect from Dave Grohl.

Then again, that’s just how we felt on the first listen, and sometimes the best music is the music that grows on you. We’re certainly not going to write-off the new album yet.

Want to hear the song for yourself and make up your own mind? Check it out here.

Friday, February 18, 2011

New Radiohead Album Drops A Day Early, New Video Released



Radiohead's new album "The King Of Limbs" is coming out 24 hours early. The album is being sent to those who pre-ordered it earlier this week. (Note: It's 6:20am and I've just been authorized to download my purchased copy.) This is the statement on the XL Recordings website.
"With everything ready on their website, the band decided to bring forward the release by a day rather than wait until the planned date of Saturday, Feb 19 to deliver the music."
Here's the first video from the album.


Lotus Flower by Radiohead
Source: YouTube

Orders for the download or the special edition, which is packaged in Radiohead's version of what the band is calling newspaper, can still be placed at radiohead.com. XL Recordings will be releasing the album on CD and vinyl on March 28.

Wednesday, February 16, 2011

Hear The Flaming Lips "Two Blobs F*#king" on One Page



The Flaming Lips have a cool new YouTube video project.

Picking up where they left off with 1997's odd experimental album Zaireeka, which came on four CDs intended to be played at once, the Okies have a new song called "Two Blobs Fucking," which comes divided onto 12 YouTube videos intended to be played at ounce by a dozen people hanging out together.

I have Zaireeka but I had to hack it by duplicating the discs onto audio cassettes -- this was way before CD plays cost $18 at Big Lots -- since they're definitely weren't three other kids into that sort of weird indie rock at my high school. Now, let's hack this one, too.

Below you'll find all 12 tracks embedded on the same page. If you're quick enough with your fingers you should be able to get them synced up pretty closely. If not, have one or two friends/co-workers join in by taking three or four each.

Enjoy!


UPDATE: My friend Kevin one-upped me. He's awesome with computer stuff and has a site that automatically loads them all simultaneously. Click here.

















Tuesday, February 15, 2011

Play This Holographic "Instrument" Using Your Mobile Phone

Music Boxel from aircord on Vimeo.

Using smartphones to interact with installations at exhibitions is something we’ll no doubt be seeing a lot more of. Artists Sander Veenhof and Mark Skwarek already used them to launch a guerrilla AR attack on MoMA in their DIY Augmented Reality Art Invasion last October. Not quite as audacious but still thrilling is this collaborative installation, Music Boxel, from Japanese interactive designers Aircord and Uniba.

It’s a multi-user interactive music game which allows people to interact with it using their smartphones. By holding their phone up to a QR code they download the software and can then point it at the 3D hologram and add or remove voxels, changing the graphical interplay of the display and the pixellated sounds it makes.
Aircord have been experimenting with 3D holograms and mobile devices for a while now. Check out the video below, which shows a mobile phone used for 360 degree 3D projection.



N-3D "Mobile Ver." from aircord on Vimeo.