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Showing posts with label Music News. Show all posts
Showing posts with label Music News. Show all posts

Wednesday, November 2, 2011

Dubstep Is Now Officially Soundtracking a Southern Comfort TV Commercial

From http://blogs.sfweekly.com/


You're a wild type. A rebel. The kind of person who likes life a little spicier. The kind of person who wants a flash of Tabasco™ lighting up your shot of Southern Comfort™. Like a fling between liquor and pepper sauce, you're a radical -- you probably even listen to that dubstep music.


dubstep-soco-ad.jpg
​

Er, sorry, fans of bowel-shuddering wobble, but your favorite sound has just become a hipness signifier for the desperately uncool. Showing up in songs by Britney Spears and Maroon 5 probably told us dubstep was on its way here (along with brostep's ubiquity and Skrillex on the cover of SPIN, among many other signposts). But at least Skrillex looks a little scary, and -- real talk -- "Hold It Against Me" isn't so bad. Much worse, at least if you're dismayed by the distance dubstep has come from its gritty south London roots, is the gutbomb of subterranean rumble now bringing a Southern Comfort TV spot to its climax. Witness:






The track is an instrumental version of Crush Effect's "Burn it Down," featuring Vokab Company (here's the original), but does it really matter? Capitalist America found one of the darkest, most uncompromising movements in recent music, got it drunk on sweetened booze and watery hot sauce in a New Orleans bar, and is now fucking it senselessly for as much cool juice as possible. The worst part is that it's brilliant -- SoCo was a preferred slurp of the rubgy-shirt-and-golf-visor set where we went to school, and aren't those same dudes right now torturing their dorm-mates with Rusko?

Dubstep purists, we know you are dismayed, but deal with it. The best underground movements are only hot stars being inevitably pulled into the black hole of commercial usefulness at the center of the musical galaxy. But it probably didn't help that Burial titled one of his tracks "Southern Comfort."



Tuesday, October 18, 2011

Scientists discover most relaxing tune ever

From: http://www.shortlist.com/

Listen to it here

A British band and a group of scientists have made the most relaxing tune in the history of man, an Mp3 of which is at the bottom of this article.

Sound therapists and Manchester band Marconi Union compiled the song. Scientists played it to 40 women and found it to be more effective at helping them relax than songs by Enya, Mozart and Coldplay.

Weightless works by using specific rhythms, tones, frequencies and intervals to relax the listener. A continuous rhythm of 60 BPM causes the brainwaves and heart rate to synchronise with the rhythm: a process known as ‘entrainment’. Low underlying bass tones relax the listener and a low whooshing sound with a trance-like quality takes the listener into an even deeper state of calm.

Dr David Lewis, one of the UK’s leading stress specialists said: “‘Weightless’ induced the greatest relaxation – higher than any of the other music tested. Brain imaging studies have shown that music works at a very deep level within the brain, stimulating not only those regions responsible for processing sound but also ones associated with emotions."

The study - commissioned by bubble bath and shower gel firm Radox Spa - found the song was even more relaxing than a massage, walk or cup of tea. So relaxing is the tune, apparently, that people are being Rex advised against listening to it while driving.

The top 10 most relaxing tunes were: 1. Marconi Union - Weightless 2. Airstream - Electra 3. DJ Shah - Mellomaniac (Chill Out Mix) 4. Enya - Watermark 5. Coldplay - Strawberry Swing 6. Barcelona - Please Don't Go 7. All Saints - Pure Shores 8. AdelevSomeone Like You 9. Mozart - Canzonetta Sull'aria 10. Cafe Del Mar - We Can Fly

The song is below, and further info can be found and the Radox Facebook page.
Image: Rex
Tags: Music

Thursday, October 13, 2011

Radiohead Reloads for Post-'King of Limbs' Blitz

Band storms New York with shows, TV gigs in advance of 2012 tour. Plus: New Atoms for Peace LP?

By David Fricke
thom yorke radiohead new york
Thom Yorke of Radiohead performs at Roseland Ballroom in New York.
 
Kevin Mazur/WireImage
 
"This is a nice little hit," singer Thom Yorke says in a breezy voice the day before Radiohead's September 28th show at New York's Roseland Ballroom. He is sitting in a hotel lobby, drinking tea and talking cheerfully about his band's current promo blitz on behalf of its latest album, the very-electronic enigma The King of Limbs. When the record came out as a download in February, Radiohead – an independent act since it finished its EMI deal with 2003's Hail to the Thief – played no gigs and did no interviews.

"It was nice not to do any of it," Yorke says. "But after a while, we thought, 'Hold on, it might be nice to do something.' And now that we've figured out how to play it live" – referring to the album's lush tangle of samples, drum loops and glassy vocal reveries – "that creates an energy that we want to pursue. You want to get it out there."

Radiohead's New York trip has included TV appearances on Saturday Night Live, Late Night With Jimmy Fallon and a special one-hour edition of The Colbert Report, during which the usually limelight-shy Yorke gamely fired quips back at the host. At Roseland on the 28th and 29th, Radiohead, who have not toured North America since 2008, gave a spectacular preview of their new six-piece lineup – with second drummer Clive Deamer of the British group Portishead – and the major roadwork they are planning for 2012. Yorke, bassist Colin Greenwood, drummer Phil Selway and guitarists Ed O'Brien and Jonny Greenwood performed seven of the eight songs on The King of Limbs, invigorating the laptop-built ambience of "Bloom" and "Morning Mr. Magpie" with live-band dynamics and Selway's polyrhythmic bond with Deamer.

The Roseland shows included an unreleased song, "Daily Mail," Yorke's scathing address to ex-British prime minister Tony Blair, the King of Limbs outtake "Supercollider" and a new arrangement with furious double drumming on "Myxomatosis," from Hail to the Thief. Radiohead also resurrected two oldies: "Subterranean Homesick Alien," from 1997's OK Computer and, on the 29th, a bit of the fans' favorite "True Love Waits" during the intro to "Everything in Its Right Place," from 2000's Kid A. The previous night, in the same spot, Yorke paid tribute to the recently split R.E.M. and their singer Michael Stipe, a close friend, singing a chorus from their 1987 hit "The One I Love."

"It was the same thing with Kid A – the studio was this process, then you bring it to life," Yorke says of the delay in bringing The King of Limbs to the stage. "In 'Bloom,' when Clive goes from the electro pads to the live kit, and my guitar shoots up an octave, I'm like, 'Wow!' When we came up with that, it was like, 'OK, we got it.'"

"The whole thing is a morass of syncopations and layers," says Deamer, who started playing with Selway last winter, working out parts, before rehearsing with the whole group. "But every time we play, it grows. Something slightly different can happen."

Radiohead could squeeze in only three concerts this year – the Roseland dates and a surprise set in June at Britain's Glastonbury Festival – because Deamer is also on the road with Portishead. "He wasn't available," says Chris Hufford, one of Radiohead's managers, "and it's why we couldn't go out on tour until next year."
"It will be sort of on and off, with big gaps," Yorke says of the probable schedule, then grins reassuringly. "But not that big."

In the meantime, Radiohead have released another new album. TKOL RMX 1234567 is a two-CD set of radical reconstructions of the tracks on The King of Limbs by DJs and producers such as Modeselektor, Altrice and SBTRKT. "It was kind of my baby," Yorke says, noting that Blawan's remix of "Bloom" "has just a little bit of us in there. But I love that."

Yorke, who turned 43 on October 7th, is determined to finish his new Atoms for Peace album by the end of the year. It is likely to feature recordings from the sessions Yorke did in 2010 with his touring band of that name, whose members include Radiohead producer Nigel Godrich and bassist Flea of the Red Hot Chili Peppers. The album has "a lot of solo stuff as well," Yorke adds. But, he confesses, "It's not good enough yet." He and Godrich "were excited about it for so long, then we kind of lost our way. So we're taking some steps back."

"The genesis was more like The Eraser – Thom and I in the studio," Godrich says, referring to Yorke's 2006 solo album. "The idea was to generate the music, then record the band. We did that. Some of it worked. We also went back to some of the electronic stuff. It's still in flux. We're waiting for the lightning bolt to strike."
Radiohead are returning to the studio as well. They will work on new material at their recording space in Oxford, England, in December and January. "We can get things together quite rapidly at the moment," Yorke says brightly. He mentions one song, "Come to Your Senses." "We have this version of it. It's a five-minute rehearsal, but it has the essence of what we need.

"There are a few of those," he adds. "It would be fun to have them ready when we go to play next year. I don't know how we would release them." Yorke smiles hopefully. "It would be nice to make it all part of the flow and just enjoy it – not think about it too much."

Congrats, Taylor Swift! You’re Billboard’s Woman Of The Year!

From: http://www.hollywoodlife.com/


Taylor Swift, 21, is the youngest girl to ever receive this honor!

Taylor Swift is on fire! Not only was she nominated this morning for American Music Awards, but the 21-year-old singer is also going to be named Billboard’s Woman of the Year in New York City Dec. 2. We’re so proud of her!

“Taylor has shown the power of good songwriting with music that has transcended genres, and we’re thrilled to recognize all of her successes over the past year by honoring her with the Billboard Woman of the Year Award,” Bill Werde, Billboard’s Editorial Director, said in a release. “At the young age of 21, Taylor has already made a major impact on music and has been an incredible role model for aspiring singers/songwriters and young women everywhere. I look forward to watching her career continue to flourish in the years to come.”

Taylor is the youngest woman to ever receive this honor and last year, Fergie walked away with the award. Congrats on all of your success, Taylor! You make your fans proud!



Thursday, September 22, 2011

Watch New Pink Floyd Viral Videos

Pink Floyd are using "viral videos" to help with the promotion of the Why Pink Floyd release schedule which commences in a couple of weeks on 26th September in the UK and the day after for the rest of the world.

What is a viral video exactly?

A "viral video" is a video that fans will share with their friends, their friends will then share it with their friends and so on thus spreading virally much like a common cold of flu. But these videos are much more fun than 3 days in bed with a runny nose and a brain that feels like Nick Mason has been playing drums on it!

Old Music, Modern Marketing Channel

It is good to see that Pink Floyd are fully utilising the "Digital Channel" of online digital marketing in the form of Facebook, Twitter and YouTube. It is interesting to contrast with Nick Mason suggesting in a recent interview that the whole Why Pink Floyd project was probably the last chance for the band to get something physical to the fans before the digital world takes over completely thus leaving the physical world of owning things behind. Keep in mind, however, the recent revival of vinly whose sales have been growing strongly lately with some top artists like the Fleet Foxes putting out popular albums on the good old medium.

Pink Floyd Viral Marketing Videos

Anyway, on to the new media, digital marketing channel, obscure videos worthy of discussion and sharing with your friends to send viral.... here are the videos posted so far by Pink Floyd on their Pink Floyd Youtube channel. Click the links below to view on YouTube.

Pig over Battersea Power Station for Why Pink Floyd launch

Pig over Battersea Power Station for Why Pink Floyd launch


The official Pink Floyd Facebook page has created an Event listing for a meeting at Battersea Power Station in London where the famous Animals front cover was created.For those of you that don't use Facebook, an Event is something you can list on Facebook and invite people to attend like an RSVP online.

Back in 1976, a giant inflatable pig was tethered onto one of the cooling towers which Storm Thorgerson then took a photo of to become part of the artwork for the Animals album. This is shown here on the right. The pig, however, managed to become un-tethered and fly off!

The event created on Facebook is called Pigs On A Wing and does not mention what the event is about or what is happening. There is no hint about what could be going on. However, it has been speculated that the famous scene of the Pig being tethered to the cooling towers will be recreated! This is just speculation though.

Edited 22/09/2011 - EMI Music have just confirmed that on Monday (26th September) they will launch the 'Why Pink Floyd…?' 2011 remasters and collectors edition campaign by recreating the legendary Pink Floyd 'Animals' sleeve and float the Pink Floyd Pig above Battersea Power Station. This will be the first time in 35 years that the Pink Floyd Pig will fly again above the iconic London landmark. For more details visit PinkFloyd.com

The event is happening between 6am and 9am on the morning of the release of Why Pink Floyd Phase 1 which includes Dark Side of the Moon in Experience and Immersion editions as well as the normal Discovery version of the albums bother as single albums and box set.

Come and Discuss Pigs on a Wing event on the forum and let us know your thoughts on the Event!

Source [ Pink Floyd Official Facebook and Speculation ]

Friday, September 2, 2011

Gorillaz Frontman Streams Quirky New Songs From Congo

From: http://mashable.com/2011/08/30/drc-music-songs-congo/




Last month we told you about how Damon Albarn, the frontman for Gorillaz and Blur, packed up his music gear and a bunch of his producer friends to make a charity album in the Congo.

The project, called DRC Music, has released three songs and an album teaser video. The site has been providing constant video and audio updates including clips of Albarn working with local musicians and explaining the crisis in the Democratic Republic of Congo (DRC).

Albarn and his team created the album in partnership with Oxfam. All proceeds from the album’s sale will go towards supporting Oxfam‘s work in the DRC.

One of the best parts of this project is the obvious care and respect the Western producers paid to local musicians and traditions. The three tracks below not only feature local musicians, but play on musical characteristics and patterns from the DRC. It’s not just a way to turn a buck, but also shine a spotlight on the rich musical history of the region.

Take a listen to the tracks below from the album, “Kinshasa One Two,” and the video above and let us know in the comments what you make of the DRC Music project.
Hallo (featuring Tout Puissant Mukalo and Nelly Liyemge) by DRC Music

Ah Congo (featuring Jupiter Bokondji and Bokatola System) by DRC Music
Lingala (featuring Bokatola System and Evala Litongo) by DRC Music
You can find more at DRC Music’s Soundcloud page.

Friday, August 19, 2011

An oral history of Boston Hardcore


I AM IRON MAN: Boredom and Beatdowns in the Burbs
Published August, 2011 

BY ANTHONY PAPPALARDO
FROM http://www.viceland.com/


CLOCKWISE FROM TOP LEFT: Brian Ryder, Andy Jenkins, Michael Galinsky, Michael Galinsky, Chris Kelly, Casey Chaos, Brett Barto

Anthony Pappalardo helped write Radio Silence, one of the few retrospectives of 80s American hardcore that nobody hates. He also played in Ten Yard Fight, the band pretty much singlehandedly responsible for the jockification of straightedge in the mid 90s.

Live… Suburbia!, a new book Anthony put together with author Max G. Morton, will be released in October by powerHouse Books. It’s like a personal, pictorial history book of everything Boston punk kids have been doing for the last 30 years. So you have the early, figuring-it-out years, then the youth crew stuff, then some diversions into skinhead, then posicore, and so on, all featuring the same group of people, just getting older and figuring new shit out. It’s kind of like a BHC version of the Up movies and will probably be on the coffee table or cistern of every person you know come Christmas. Below is an excerpt from the BMX years.

Also, if you haven’t figured out by now, we are not talking about Anthony Pappalardo the skateboarder.


James Regan was a boy by age but not by stature. He stood well over six feet with broad shoulders and cold blue eyes. When he gripped his ruddy fingers together they looked like brick wrecking balls that could easily smash through walls or at least flatten the noses of young boys with one swing. The neighborhood was terrified of James Regan. From age 13, he rode his yellow dirt bike around town without a helmet, license, or care. He was above the law.

No matter what the thermometers said, he wore a sherpa-lined denim coat that housed a weapons armory: Butterfly knives, Chinese stars, butane lighters, prerolled joints, and a switchblade comb were always by his side. Normally, young burnouts decorated their jackets with patches and pins of their favorite metal bands, but James’s jacket was bare. He didn’t have time to be a seamstress—he was focused on mayhem and destruction. I learned quickly that the more patches, the less threatening a kid was. This theory was proved later in my life when I saw crusty punks lying in their own filth with pregnant dogs begging for change in Harvard Square. There was nothing scary about junkies resembling shit-stained rag dolls asking for beer money.

James was a loner who didn’t need backup. He was a one-man army… or at least capable of keeping a gang of preteens in check. None of the kids on my block had older brothers willing to challenge him to a fight, so when he roared through, we were pretty much at his mercy.

Normally, it was easy to avoid James, as he was always busy fixing something, building something, smoking something, or fucking something, but things changed when we found an abandoned ski slope near our neighborhood that was full of paths perfect for racing BMX bikes. There wasn’t a black diamond trail, just amateur inclines descending the “mountain” that only needed a little grooming before they became our private raceway. We heard that a homeless guy lived in the woods there and hung himself, but that only added to the danger and excitement. We spent the winter sledding there, one friend even snapped a wing, but we persuaded him to tell his parents he did it playing football to make sure we wouldn’t be banned from the mountain. Our plan was simple: After the winter thaw, we’d grab shovels and build jumps along the trails and we’d have the only true racing track and stunt zone in a 30-mile radius.

Spring came and we swapped our winter work boots for sneakers and set off to the mountain to begin construction.

No sooner had ground been broken than did we hear the menacing roar of James’s dirt bike. We were fucked. James had a method to his torture: He’d single out one boy and then force the others to make decisions. For example, you might be asked to punch your friend or absorb a blow from James himself. He’d make you jump off things, eat things, and one time he even buried poor Joey Belisle in a mock funeral only to piss on his grave. James wasn’t nice.

He power-slid into our construction site and covered us in dirt and rocks before dismounting his yellow steed. “Gaying off in the woods, faggots?” he asked rhetorically. Despite his golden shower, Joey hadn’t learned anything and actually responded. “No, man, we’re building some jumps...” he stopped and gulped emphatically, realizing his mistake and trying to save himself. “We… we figured you’d wanna use the jumps so we’re gonna build them really high!”

“Why the fuck would I wanna jump off a mound of dirt while you homos watch me? Do you think I’m a fag too?” James responded. This wasn’t going well. The mountain was sandwiched between two growing housing developments, and a construction site directly bordered the first trail where we were now standing. Building had slowed down and the site was merely a sea of discarded cinder blocks, lumber, nails, and mortar. James kicked around the piles of raw materials briefly before picking up a piece of plywood about three feet square.

“OK, Joey, go stand over there and hide behind this piece of wood,” James ordered. Joey grabbed the wood and walked off about 20 feet into a grass clearing. “The rest of you, come over here now!” he demanded in between drags of a Marlboro Red.

James directed us to a pile of rocks and chipped bricks. “OK, Joey is gonna hide behind his piece of wood for the next ten minutes while you guys throw shit at him. Don’t fucking stop or you have to join him, and there ain’t much room back there. OK, start NOW!” James said as his soulless eyes pierced all of us. It was a minor relief to not be behind the wooden shield, but this seemed too simple. There was no way it was this easy.

We pelted Joey for what felt like an hour; he’d occasionally have to readjust the wood and James would chuck a rock right at his fingers. This was the only time he joined in. On James’s command, Joey emerged from his foxhole, ears ringing and fingers swollen.

“Hey, I’m hungry,” James said. “Who lives the closest to here?” Apparently, watching the stoning piqued his appetite. Once again, Joey was the victim as his house was a five-minute walk through the woods. We followed James single file like an adolescent chain gang before arriving at Joey’s house. He was instructed to go inside and fetch some chips and soda in five minutes or less, or else he’d be back behind the wooden shield or maybe thrown off his tree house. As soon as his door opened, we heard a familiar sound: Buddy Mailloux’s dinner bell. Each night when it was time for supper, Buddy’s mother rang a bell, which was his cue to scamper home like a puppy before eating something overcooked and fattening. “Buddy… Buddy, dinner time!” sang his mother with her brittle bleached hair.

Buddy thought he was off the hook, but as he took a step toward his home, he was quickly stopped by James. In one motion, he was body-slammed to the ground and pinned. James’s voice was suddenly two octaves higher as he screamed, “Fuck you, Mom! I’m not going to eat your meat loaf anymore. GO FUCK YOURSELF, BITCH!” Buddy was tearing up as James’s mammoth hand covered his mouth. His mother kept calling and James kept responding with more curses until things went silent for a moment and we heard a door slam. With a spin and a kick, James’s cycle was roaring and he was gone. Buddy’s mom ran over and saw him spitting dirt as the dust settled from James’s escape. She knew Buddy hadn’t cursed her out and silently escorted him home to dinner.


CLOCKWISE FROM TOP LEFT: Nick Zinner, Kim Baskinger, Ryan Murphy, Eva Talmadge, Kevin Hodapp, Angela Boatwright, Nathalie Shein

The rest of us headed off to our fort, which was really just a plywood shanty that overlooked our neighborhood. Two pieces of plywood were configured around some rocks, creating a shelter from the elements and a perfect place to read stolen porno mags and light small, contained fires. No parents or cops could get close to the fort without us having ample time to scatter and flee back to the woods.

The second-oldest kid in our neighborhood, Kenny LeFevere, was there smoking Winston cigarettes stolen from his dad and drinking something he stole out of a flask. Despite being older than us, Kenny was relatively cool. He might turn on you if someone cooler and closer to his age was around, but he generally didn’t give a fuck. He’d offer us cigs and swigs and occasionally would give us old bike parts and metal magazines that he had read cover to cover. We told him about the wooden-shield game and the meat-loaf beat down and he laughed.

“If you guys are sick of James fucking with you, why don’t you all just fight him? He’s beating the shit out of you every day. You’ll probably lose, but there’s five of you. Maybe you can take him, and if not, he’ll probably just find someone else to fuck with,” Kenny reasoned. We stared at him blankly. I think we all wanted to just ask him to fight James for us, but we knew that would never happen. Five-on-one started to make sense to me. We asked Kenny a few combat-related questions before he pedaled off. James didn’t have any friends who would torment us in school as retribution if we did beat him up, and he couldn’t really do much worse than beat us up more. At the worst, we’d be confined to the safety of our yards for a while and avoid the usual secluded fishing spots, and at best we’d have the hairy, beastly monkey of James Regan off our backs. Suddenly we realized we were playing with house money.

My potluck crew sat in our clubhouse planning our attack. “We should form an official gang,” I said. I think I was just excited about writing a gang name on walls or maybe even putting mailbox decals on my bike’s number plate proclaiming the newfound gang. Everyone agreed, and it was time to vote on a name. The Lions, Demons, Black Snakes, and Titans were quickly shot down. We went through a few more suggestions, including the Salem Swords and Salem Samurais, but alliteration didn’t sound tough enough.

“Scorpions have those big stingers,” said Rick Hannigan. “They’re small, but they can really fuck you up. What about the Scorpions?” Balding German rock bands and women in cages were not on our minds—we completely forgot about the band the Scorpions as no one fucking liked them. The Scorpions was now our gang and we started training that second, without Buddy—he was a total pussy anyway. First order of business was to gather up our collective weapons. We had nunchakus made of sawed-down broomsticks and clothesline rope, sheet-metal shanks carved in shop class, and Rick even had a pair of brass knuckles he had stolen from his uncle. Well… they weren’t actually brass, they were some kind of silver alloy, but they looked cool.

Our arsenal was set, we headed off to Rick’s basement to sharpen our hand-to-hand battle skills before having to go home for dinner. There was a wrestling mat lining his basement floor that served as our battle arena. In a few minutes we were confident that the Scorpions could take James or any bully—fuck, we could probably fare better against the damn Russians than the fags in Red Dawn. Years of recreating the WWF, NWA, and AWA wrestling moves in Rick’s basement boosted our confidence more. I was daydreaming of my finishing move—a variation on the Iron Sheik’s Camel Clutch—when Rick was called to dinner. We needed a good meal and some rest. Tomorrow wasn’t just Wednesday, it marked the beginning of a war.

We hashed out our strategy on the bus ride to school. The trick was to play dumb, head off to the woods with our shovels (which could come in handy in case we needed to bury James’s corpse) and our weapons, and wait. At the least, we’d make progress on our dirt jumps and build some muscle. The day crawled by but eventually the bell rang at 3 PM and we were free to fight. My Walkman was blasting “Shout at the Devil,” and James was fucked.

I was the first one to the clubhouse, armed with my weapons and a bulldog mentality. One by one, the Scorpions arrived, each bringing his own expertise to the table. This was one of those Dirty Dozen movie moments when the team is assembled. Rick was the calm, good-looking one; I had the most weapons; Joey and Buddy had taken the most licks and were hungry for revenge; and our wildcard was Greg Derosa, or Rosie, as we called him. Unlike the rest of us, Rosie had actually stuck with his karate classes. He even had a satin jacket with a dragon on the back, his name on the sleeve, and the dojo’s name in gold thread. He had recently learned how to chop through thin pieces of wood and was flexible enough to kick higher than his head. Rosie’s skills were our secret weapon: If things got sketchy, he could always deliver a Spot-Bilt sneaker to the jaw and give us time to regroup. We believed in the sting of the Scorpion.

Off we were to dig and wait. We marched on like the random excavation crew that Indiana Jones employed to find the Lost Ark. We set up camp and anticipated the roaring grind of James’s dirt bike. We were ready.

Burning gasoline and the familiar growl of James’s bike manifested about 30 minutes into our dig; he was so fucking predictable. The Scorpions exchanged stone-faced nods, each of our heads playing a victory soundtrack. Our minds were fixated on punching Drago, blowing up the Death Star, and throwing that weird spiky thing from Krull at our enemy. Again, James slid his bike at us, creating a dust cloud as he pushed his kickstand down. As his loose tan work boot slid off during the motion, our window had arrived. Someone yelled “SCORPIONSSSSSSSSSS!” as we surrounded him and unsheathed our weapons. James sat on his bike unfazed and laughed loudly, tilting his head back like Goliath, looking toward the sky. “I’m gonna fucking wreck you guys!” he yelled. A bolt of lightning struck him and he grew to 30 feet tall, his bike now a Clydesdale breathing fire. I was frozen, afraid to flinch, but the rest of the Scorpions were already half a football field away. James jumped to his feet, his eyes fixed on me the entire time. My nunchakus lay limp in my hand, they were just parts of a broomstick and would probably just shatter on his thick skull if I even had a chance to swing them. I was screwed. I spotted a small piece of two-by-four lying to my left, threw my homemade weapon far into the woods, and picked up the lumber.

“What are you gonna do with that, Jim Duggan?” James shouted. Not only was he going to fucking kill me, but he was also witty for the first time in his life. I reared back and emulated Roger Clemens’s windup and flung the wood at him, hoping it would hit his face and blind him, or perhaps knock the wind out of him. The small piece of pine spiraled at James and fell well short of his face or sternum, it actually just hit his bare foot. Before I could even feel a touch of disappointment James screamed like a stuck pig, gripping his foot. “I’m gonna fucking kill youuuuuuuuuu!” he exclaimed. It didn’t matter now—I had plenty of time to get the fuck out of there. My feet didn’t touch the ground on my way home. It took me half a second to flee to my bedroom, blast Diamond Dave, and air-guitar to “Unchained.” As the adrenaline wore off, I debated penning my will on loose-leaf paper and asking my parents if they had thought about moving to another town, preferably tomorrow. My mom knocked on the door and told me I had a phone call. It was probably Rick checking to see if I was still alive. I told her I’d call him back, and she asked if she was my secretary before agreeing. I lied about a book report I had to finish and shut my door. I’d be safe at school the next day, but expected to see James waiting for me when I got home. Both of my parents worked until 5 PM, giving him a two-hour window to beat me to a pulp.



CLOCKWISE FROM TOP LEFT: Michael Galinsky, Casey Chaos, uncredited, Davo Scheich, Casey Chaos, uncredited

I finished dinner quickly and asked to be excused. There was nothing on television so I fished around in my closet and found a handheld electronic football game that I hadn’t played in years. I swapped out the batteries from my Walkman, and suddenly the flickering red lights on the screen had me distracted. I was the New England Patriots squaring off against the Chicago Bears for a rematch, and I wasn’t going to lose this time. Rick had taped a bunch of his brother’s records and lent me the cassette so I could copy it. I was today’s Tom Sawyer and briefly forgot that I’d be dead in less than 24 hours.

There was a knock on my door, I sprung up and answered it. My dad was standing there looking a little annoyed and confused. “One of your friends is here, Anthony,” he said. “Why don’t you guys hang out here while your mother and I talk to Mrs. Regan.”

My whole body went numb. Why the fuck had my dad sold me out? There was now one flight of stairs between me and death… I couldn’t even fucking move. A large silhouette lurched up the stairs with a noticeable limp. The familiar scent of “stinky kid” permeated the air. It certainly was James, but he wasn’t rushing to kill me. Perhaps he was building suspense. When he reached the top of the stairs, I noticed that his foot was mummified in white bandages and he was gripping his stomach.

He entered my room and immediately sat on my bed and stared at me, only this time there was no venom in his gaze. “I had to get a fucking tetanus shot and a bunch of stitches, asshole,” he said. “I didn’t give a shit, but my mom fucking freaked out because I tracked blood into the house, then she made me go to the hospital.”

Apparently, the piece of wood I chose to bludgeon James’s foot with had a rusty nail protruding from it that pierced his thin-socked foot. No one had ever seen James’s parents: We assumed he just lived on his own like one of the Outsiders, but he did actually have a mother, albeit one who smelled like boxed wine and cigarettes, according to my dad. Before I could even think of how to respond, James was mimicking the garbled beginning of Black Sabbath’s “Iron Man” playing on my stereo. “I am Iron Man!” he gurgled with his eyes closed, while Tony Iommi bent guitar notes that bounced around my skull as I envisioned my own funeral procession. I glanced up and saw my parents standing next to a rail-thin woman with a maroon leather jacket and poodle perm.

“Yous guys is friends now, right?” she asked in a thick New England accent. It was obvious she had been crying and her face was so wrinkled and pursed that it looked like she was permanently taking a drag of a Virginia Slim. Three… two… one… The waterworks began and my parents looked completely shocked. My mother actually curled her lips in and held back a smirk.

“I know James is wicked big and can be rough, but he ain’t a bad boy and he likes yous guys,” she said between sobs. “He won’t push yous around anymore, OK. But my baby really got hurt today. He got stitches and everythin’,” she said, leaving the “-g” off everything as most in suburban Massachusetts did. James shot her a glare, presumably for the baby comment and letting everyone know that he was mortal. My dad realized this was his time to be the alpha male and resolve this so he could get back to watching VHS tapes of Sherlock Holmes and the Three Stooges.

“OK, boys, so let’s see you shake hands, and Anthony, you apologize for hitting James. Only fairies use weapons in a fight, you know that,” he said while giving me a slight wink. His tone and gestures confirmed that he wasn’t mad at me, and fuck, James was taller than him, so I think he knew exactly why I had to throw shit at him. I almost died!

We shook hands for about five seconds, and I thought the cycle was over. “Hey, can I borrow this tape? I’ll copy it tonight and bring it by tomorrow,” James asked.

“Oh, this tape? You can just have it,” I replied, quickly lying through my teeth: “I have all the records anyway, so I can just tape them again.” There was no way in hell I wanted to see James again. There was a chance that he’d be off his dirt bike for a while and we could finish our jump, but I wasn’t really interested in going to the mountain again.

From Live... Suburbia! by Anthony Pappalardo and Max G. Morton, published by powerHouse Books.


Monday, August 15, 2011

2CELLOS Cover Nirvana Classic "Smells Like Teen Spirit" Live On SiriusXM Pops



2CELLOS -- the Croatian cello duo of Luka Šulić and Stjepan Hauser -- hit the YouTube jackpot with their cover of Michael Jackson's "Smooth Criminal," and later the Guns N Roses classic "Welcome To The Jungle." In a recent visit to the SiriusXM studios, they performed Nirvana's "Smells Like Teen Spirit" during an interview with SiriusXM Pops host Paul Bachmann. Hear the interview and performance on Saturday 8/13 7:00 pm ET, or catch the rebroadcast: Sunday 8/14 at 11:00 pm ET.
For more information on SiriusXM Pops, go to http://www.siriusxm.com/siriusxmpops .

Monday, August 8, 2011

Nicki Minaj Goes 'Jem And The Holograms' On 'Good Morning America'

Nicki Minaj performing on "Good Morning America" and Jem of Jem and the Holograms.
Photo: Getty Images/Courtesy of Fanpop

Doot doot doot, Friday morning, getting ready for the weekend/relaxing our platform-weary feet and then BAM…NICKI MINAJ appears looking like a classic '80s cartoon-eating chicken with a piano ring. Hence: Apocalypse, of the best sort.

At her Good Morning America shoot today Mistress Minaj rode up wearing an INCREDIBLE outfit, which is making us shake with caffeine/how much we want to explain how MIND-BOGGLING this is. It’s like a Matryoshka doll of win—each layer gets better and better—but it's topped off with this blonde explosion of frizzy hair deliciousness that is part helmet, part dream come true, and ALL a fire hazard.


No secret that Nicki loves her Barbies, but it seems like she is also taking a cue from our girl Jem (of the Holograms variety). Whatever fictional character she’s channeling, girl looks GOOD. Like G-double-O-D. So let’s break it down, because unraveling this kind of stuff is what'll get you Pulitzers. FIRST OFF, her earrings are so dollar-store diva perfect that we are calling a massive rise in the stock price of yellow because, as Nicki aptly displays, it goes with anything. In the same polyurethane plastic, we’ve got bangles galore (clashing, of course, but not fully, because the mĂ©nage—see what we did there?—of color she wears is repped across her wrists), and if you let your eyes wander down her hands, you see a totally Jem-referencing piano ring across her knuckles. Her microphone is Barbie pink (of course) and covered in glitter like any good rock star in the pre-Reagan age would do. (IF ONLY WE COULD SEE HER NAILS. WE MIGHT COMBUST.)

Nicki Minaj performing on "Good Morning America."
Photo: Getty Images

Let us move down, to the trifecta of magic of the plastic hoopskirt, printed leggings, rain boots. (Did you just say rain boots, you ask? We did. Because, in order to entirely smell of the inside of a Mattel factory, one must have their outfit consist entirely of RUBBER AND PLASTIC). She’s got this see-through hoopskirt, which fortunately does not hide the SUPER-HYPER-GRAPHIC leggings she’s wearing, and while we are zooming infinitesimally close...we can’t see the brand. But we’d guess—and this is awesome—they must be the priciest thing she is wearing. We love the fresh-off-the-street, DIY nature of this outfit. Girl brought leopard rain boots to a Giuseppe party, and she is working it like it is her job (which it is). Oooor she's anticipating a torrential downpour with all that water-repellent gear. Either way, we are SO down.

While we can't see the reason why she chose to nom on a drumstick (one hand glitter mic, the other hand a piece of chicken), it probably had something to do with keeping it real. Because that is all we see here. Pure Minaj REALNESS.

+ CHECK OUT MORE PICS OF NICKI MINAJ ON "GOOD MORNING AMERICA"!!!

Wednesday, July 27, 2011

Before & After: A good case against drug use

  From: http://i.imgur.com/

 
i.imgur.com — I don't like the drugs but the drugs like me. Rest in peace, Amy Winehouse.

Monday, July 25, 2011

Amy Winehouse: a life in pictures

A look back at the late singer's life

As people around the world come to terms with the news of Amy Winehouse's shock death yesterday (23 July), Stylist takes a look at the life of a phenomenal singer who drew comparisons with greats such as Billie Holiday and Nina Simone.
Amy started songwriting at the age of 14 and was propelled into a world of international stardom in 2006, with the release of Back to Black. Alongside her rise to fame came personal problems and a much-publicised battle with drink and drugs - but above all, she remained one of the most iconic voices of her generation. From her birth in London in 1983, to her tragic and untimely death at the age of 27, we present Amy's life in photos.
Click on an image below to launch the gallery.
Picture credits: Getty Images and Rex Features
  • Amy Winehouse, 1985
  • Amy Winehouse, 1987
  • Amy Winehouse, 2003
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  • Amy Winehouse, 2007
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  • Amy Winehouse, 2009
  • Amy Winehouse, 2009
  • Amy Winehouse, 2010
  • Amy Winehouse, 2011
  • Amy Winehouse, 2011
  • Amy Winehouse, 2011

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