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Showing posts with label Sand. Show all posts
Showing posts with label Sand. Show all posts

Friday, July 30, 2010

Hottest Beach VolleyBall Babes

Originating in Southern California and Hawaii, sand volleyball – as well as regular Volleyball – is really fun and it’s a great way to exercise your body too. Even some countries without traditional beaches – like Switzerland for example – have adopted the idea as well. It’s really become worldwide popular.

OK, what the hell am I doing here? Of course it’s become worldwide popular, goddamn it, look at these babes, for crying out loud! I’m not really sure how some people actually look at this from a sporting perspective…I obviously couldn’t attend any of these events in person, since I’d prolly be arrested for trying to hump any of these fine athletes.

Here’s a compilation of the ass-entials of beach volleyball:

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Beach Volleyball Babes

Friday, July 23, 2010

10 Spectacular Sand Sculpting Festivals

See which U.S. beaches become artists' canvases every summer

By Brynn Mannino

from WomansDay.com

While most people see summer as a chance for some fun in the sun, swimming and tanning aren't the only things going on at the beach. In fact, each year, artists from all over the globe meet in the sand to show off their sculpting skills—whether they're professional artists hoping to make it to the World Championship of Sand Sculpting come September or amateurs just in it for fun. WD decided to get in on the excitement and scoped out the biggest festivals across the United States.

Texas Sandfest

This Southern sand extravaganza, which runs in April and attracts 100,000 spectators, is a three-day competition hosted in Port Aransas, Texas. The competitors always bring their A game, since it’s a qualifying competition for the World Championship of Sand Sculpting. But the event isn't just for veterans: A one-day amateur showing attracts nearly 200 novices. Photo: "Time Frame" by Karen Fralich of Ontario, Canada; 1st place; courtesy of Kristie Woodworth.

Siesta Sand Sculpture Contest

Held in Sarasota, Florida, each May, this festival attracts nearly 40 entries per year. Host to some of the funniest categories, including Adult Humorous and Adult Miscellaneous, Siesta Key Beach is transformed into a canvas of comical artwork. Photo: "Siesta Fish" by Libby Bennet and Lara Hines of Sarasota, Florida; People's Choice Award and 2nd Place, Adult Humorous; courtesy of Anne Johnson.

Piccolo Spoleto Sand Sculpting Competition

Every year around Memorial Day (the exact date depends on the tide), Isle of Palms, South Carolina, puts on one of the largest festivals in the U.S. Attracting 64 teams this year, the event includes the Most Realistic and Best Architectural categories, inspired by one of the sponsors, the American Institute of Architecture. Photo: "Raining Cats and Dogs" by Jeff Mahaffey of Hanahan, South Carolina; Best in Show; courtesy of Will McElheny.

Beach Community Bank Fiesta Sand Sculpture Contest

Entries were low this year due to the oil spill, but the Pensacola, Florida–based sand sculpture competition still produced incredible results, made possible by its renowned white sand beaches. Open to professionals and amateurs alike, the festival takes place in early June, and garners about 50 entries each year. Photo: "Close Encounter" by Chuck and Tammy Kunze of Milton, Florida; 1st place; courtesy of Whitney Vaughan Fike.

Chamber Sand Sculpture Contest

Every June in Grand Haven, Michigan, approximately 40 teams and over 200 individuals get two hours to turn the Lake Michigan shoreline into an art exhibit. This year, to the delight of spectators, the Sand Castle category was added to the competition. Photo: "Jabba the Hutt" by Sand Carvers and Kevin DiMeglio of Grand Rapids, Michigan; 2nd Place, Family Category; courtesy of Jenna Paparella.

Nebraska Children’s Home Society’s Sand in the City

Sand in the City is an active charity that, through its annual sand sculpting event, helps nonprofits learn how to raise money. One such charity is Nebraska Children's Home, which transforms its parking lot each June with 350 tons of sand for the 12 teams of sculptors. Photo:“Mama Said There’d Be Days Like This” by Millard Drywall Service, led by Joe Kirkendall, Omaha, Nebraska; 1st Place; courtesy of Kathleen Al-Marhoon.

Hampton Beach Master Sand Sculpting Competition

One of five World Championship qualifiers in the U.S, this New Hampshire–based competition has approximately 15 world-class master sculptors vying for $15,000 in prize money. Held in late June, the contest also boasts nighttime viewing hours, during which the awe-inspiring works are illuminated. Photo: "It's Not a Yolk" by Justin Garden of Grover, Massachusetts; 1st Place; courtesy of Greg Grady.

New England Sand Sculpting Festival

Held at Revere Beach in Revere, Massachusetts, every July, the NESSF, which hosts 10 artists annually, was originally the largest of its kind. According to the website, it is still regarded as a premiere event for sand sculpting thanks to national coverage by various media outlets, including Good Morning America, TODAY and The New York Times. Photo: "Selfish Trap" by Jonathan "Jobi" of Bouchard, Montreal, Canada; 1st place; courtesy of Adam Benoit, Celebrity Marketing, Inc.

Sandsations Sand Sculpture Contest

From mid to late July, Long Beach, Washington, hosts this unique festival, which boasts a slew of fun activities for spectators—including free sculpting lessons, a beach bonfire and the Sand Flea Pet Parade—while the 45 to 50 competitors create their magic. Photo: "Evolve" by Eric Hawley, Tacoma, Washington; courtesy of Becky Johnson..

American Sandsculpting Championship Festival

Held in Fort Meyers, Florida, every November, this competition sends its winner on to compete in the following year’s World Championships. Drawing in top master sculptors, the contest is free to all, but those who want a closer look must purchase VIP passes. Photo: "Mirage" by Thomas Koet of Melbourne, Florida; courtesy of Earl Quenzel with Quenzel & Associates.

Monday, June 21, 2010

Incredible large-scale Beach Art

See the original image at boredville.com

boredville.com — Artist Jim Denevan makes large scale art in the sand.

Click here for the full gallery: Incredible large-scale Beach Art (PICS)

Monday, June 14, 2010

18 amazing Star Wars sand sculptures

From: http://scifiwire.com/

Summer's just around the corner, so what better time to share some of the most awesome Star Wars sand sculptures ever created?


Click here for the Full Gallery of 18 amazing Star Wars sand sculptures

Wednesday, January 20, 2010

Sand-Printer like a giant die cutter

zanadesign_sand_printer.jpg
I'm digging this giant sand printer by Zana design (no direct link). Who wouldn't want a giant wheel that they can push around on the beach and leave a message? For extra points, I'd love to see a giant golfball printhead robot that drives around and stamps messages into the ground. [via rebel:art]

Wednesday, October 14, 2009

Magnificent Sculputures.....That's what I call True Artist



telegraph.co.uk Sudarsan Pattnaik has won international awards for his sand sculptures and now you know why because they are truly magnificent.

click here for this amazing Gallery(27 pics): Magnificent Sculputures.....That's what I call True Artist

Friday, January 9, 2009

So Much to Learn About the Oceans From Sand

Leah Nash for The New York Times

EYE ON THE BEACH Rob Holman of Oregon State University with sand samples from nearly 1,000 sites around the world.

Published: January 5, 2009

CORVALLIS, Ore. — As a young geophysicist in the 1980s, Rob Holman attended a conference in San Francisco that included a field trip to a beach. Dr. Holman, who grew up inland, in Ottawa, stared at the ocean, assessing the strengths and vectors of the waves and currents. But when he looked around, everyone else was studying the sand.

He realized, he recalled, that “sand is not the same everywhere.” So he started collecting it. “I collected a few samples and put them in jars,” he said. “Then I had so many I built a rack. Then I built three more racks. Then I built four more.”

Today Dr. Holman is best known as a coastal oceanographer at Oregon State University whose computerized photography system, called Argus, has given researchers new ways to observe and measure beaches. But he still collects sand, which he displays on shelves in the corridor outside his office. By now he has almost a thousand samples. They come from his travels and from geologists and amateurs all over the world (including this reporter) who send him grainy shipments in envelopes, plastic bags, paper towels and other wrappings. Each offering is dried and transferred to glass laboratory jars a few inches high, which Dr. Holman labels by latitude and longitude of their site, as best he can determine them from the sometimes sketchy information his contributors provide.

The collection includes sand from all continents, including Antarctica. “Dutch colleagues are particularly good” at mailing in sand, Dr. Holman said. “Africa is lacking in samples,” a deficiency he attributes in part to an unfortunate accident. “Early on, I had a rack collapse,” he said.

Though these offerings have not necessarily ended up in the formal display, he has also received a bottle containing a gimmick portrait in purple sand, Hawaiian sand samples sold in packages to tourists, salt and pepper (“that was actually my secretary”) and all kinds of other things that were found on beaches, or might have been, including jelly beans and M&Ms. He accepts contributions of sand from inland riverbeds and places like Ayers Rock, in the Australian Outback, and even from hotel lobby ashtrays “if it’s a high-class place,” he said. These are listed as “miscellaneous.”

Occasionally offerings come from the community of psammophiles (formally, plants that live in sand) — people who collect sand for fun. There are more of them than one might think. Sand collecting “is not a new hobby or a passing fad,” according to the Web site of one group, the International Sand Collectors Society (www.sandcollectors.org). Its motto: “Discovering the World, Grain by Grain.”

Dr. Holman watches some sand sites, but from a distance. “I don’t participate in the chats,” he said.

For Dr. Holman, what started almost as a joke has become a valuable teaching tool. Geology students at the university study his collection, and they can learn a lot from it. “This row is a north to south transect along the East Coast,” he said one day recently, pointing to tubes containing samples collected at sites from Cape Cod to Key West. “It just gets lighter and finer.” That is because most of the time sand is not stationary on the beach. On the East Coast, “the big waves come in from the northeast, and they drive the littoral drift predominantly from north to south,” Dr. Holman said, referring to the longshore movement of sand.

By the time a grain of sand washes up on a beach in Florida, it has been battered by waves for a long time. “The physical action of being continually beaten causes the grains to break down, the angular corners to break off,” he said. “They become more rounded.”

And relatively dense mineral grains, like garnet, have settled out. The result is a row of samples shifting from the relatively dark, coarse grains of the Northeast to the fine white beach sand of the Southeast.

Dr. Holman keeps about two dozen especially telling samples in a portable “teaching rack” for use in classes and at lectures. Some are dark volcanic grains. One vial, from the Banzai Pipeline, a surfing mecca in Oahu, “is all broken up shells with rounded edges,” he said. “This sand cannot last very long.”

The rack “illustrates a lot of the things we need to know about how beach sands are different,” he said. “I have occasionally taken in sand to a student exam and said, ‘Tell me about this beach.’ A good person can do very well. There are a number of characteristics you can look at — the nature of the sand and the shape, where would the minerals come from, different transport and aging. Those all affect the sand you see on the beach.”

Dr. Holman also takes the teaching rack with him when he gives talks to the public, an effort to encourage people “to think about what they see on beaches.”

“Then I show them some Argus pictures, which always make them think about sandbars and how mobile they are,” he said.

Argus is the system Dr. Holman developed in research he began about 20 years ago at theArmy Corps of Engineers research pier on the coast at Duck, N.C. Researchers assigned to the Duck pier regularly send instruments into the surf to make precise measurements of the underwater topography in the surf zone, particularly the formation and movement of sandbars along the beach.

Understanding these sandbars is critical to study of beach erosion and climate-related sea level rise, but the surf zone is a notoriously hostile research environment. Setting up and maintaining instruments there is almost impossible unless the equipment is so sturdy it distorts its own data, by interfering with the flow of water and sand. As a practical matter, the measurements made routinely at Duck are unobtainable almost anywhere else, and certainly not here in Oregon, where the wave climate is the harshest of any coastline in the Lower 48.

Dr. Holman used the Duck instrument data and time-lapse film from a camera he mounted on a tower at the Corps installation to figure out how to correlate photographic information to changes in the topography under the surf.

The results were surprising. For one thing, sandbars were not moving in simple patterns, as many coastal scientists had thought they did. “The biggest thing we learned is how much more complicated it is than we thought it was,” he said. “There is a richness of morphologies.”

Using Argus data, scientists can watch, almost in real time, as sandbars appear, disappear, curve, drift, breach and otherwise act up under the camouflage of breaking waves. The system can even be used to spot rip currents in real time. The lesson of Argus, he said, is “never give up observing”

S. Jeffress Williams, a coastal geologist with the United States Geological Survey, called the system “a critical piece of new technology.”

“The Argus system allows us to quantify and document visually the changes that take place along the coast on a variety of different time frames,” he said. Dr. Williams, a contributor to Dr. Holman’s collection, said that without the system, these observations would be difficult or even impossible. “A lot of the changes take place during storms and at times when it is difficult to have people out on the beach making observations and taking measurements.”

At one time, Dr. Holman said, coastal scientists thought that if they understood all the underlying physics, they would understand everything about beaches. “The pendulum has swung back,” he said. “Argus has been part of that. Argus helped us realize that our simple concepts were simple.”

While it is true that all beaches “live by the same rules” in that the movement of wind, water, waves and sand is always a matter of F = ma (force equals mass times acceleration), beaches behave differently. “We hope to figure that out,” he said.

Today, there are Argus installations at Duck and in Oregon, California, Hawaii, England, the Netherlands, Australia, New Zealand, Spain, Italy and Brazil.

Dr. Holman has also begun working with NATO in hopes of adapting routine reconnaissance images, most of which are discarded, to the Argus system.

Meanwhile, sand keeps piling up. When he first displayed the collection, Dr. Holman said, “the dean was a little queasy” about investing in shelving. But now it may be time for another infusion of money. Though he installed shelves with what he thought was ample room, he said, “we have run out of space.”