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Showing posts with label Sigourney Weaver. Show all posts
Showing posts with label Sigourney Weaver. Show all posts

Friday, January 15, 2010

EXCLUSIVE: 'Ghostbusters 3' Script Is In, Ivan Reitman Confirms He WILL Direct

A few weeks ago, "Ghostbusters" writer and star Harold Ramis revealed that the long-awaited third movie in the series is planned for a 2011 release. This news broke only a short time after "Avatar" star Sigourney Weaver speculated that Bill Murray's character Pete Venkman might appear in the movie as a slimer ghost, and that Oscar, her character's son from the second movie, would be a full-fledged Ghostbuster.
Ivan Reitman, director and producer of the first two movies, stopped to chat with MTV's Josh Horowitz last night on the National Board of Review red carpet in New York City. He shied away from addressing Weaver's spoiler-y speculation, but he did have some things to say about the general state of development for "Ghostbusters III."
Reitman said that the script from "Year One" writers Lee Eisenberg and Gene Stupnitsky is in and that a second draft is currently in the works. He also confirmed that he will indeed be returning to direct the coming sequel, as had been previously speculated.
"They have delivered a draft," Reitman said of the script's progress. "We are working our way through another draft... good work is being done and all of us have our fingers crossed."
What he wouldn't do was address exactly what that "good work" entailed. Asked about Weaver's recent comments, Reitman laughed and kept things light.
"I'm not going to comment on what's in the script and on what Sigourney may or may not have said," he told us. "She's been so busy on 'Avatar,' I've not been able to find her. There's some very cool things in the new draft, let's just put it that way."
Reitman was all business again when the talk turned back to the schedule. "I hope to start shooting in this next year," he said, giving weight to Ramis' recent comments about a planned 2011 release.
Then the bomb dropped. Asked if he would be returning to direct "Ghostbusters III," Reitman answered with a simple and unequivocal "Yes." It's good to see the old gang all getting back together, isn't it?

Tuesday, January 5, 2010

A Different Side Of Avatar Captured In Amazing Photos

life.com Before unveiling the 3-D sci-fi epic to an intensely curious audience at the December 10 world premiere, director James Cameron and actors Sam Worthington, Zoe Saldana, and Sigourney Weaver zipped around Paris, Berlin, Moscow, and London on a dizzying promotional tour. LIFE.com photographer Jeff Vespa was along...

Wednesday, November 25, 2009

12 Potential Plots For Alien 5

Prequel ideas come bursting from our chests...

BY Mark Powell

FROM http://www.totalfilm.com/

We're told that the Ridley Scott-helmed fifth Alien film is to be a prequel, which limits the possibilities somewhat.

Well, actually, not that much. We've put together 12 prequel plausible plots for Scott's Alien 5. And we'd happily pay to watch all of them.

Title: Alien Asteroid

The Plot: A typical man vs. space-bitch instalment in the established franchise format, but the filming style is the clincher.

Scott opts for a low-budget, retro-influenced Moon-type vibe, pitting a lone shipwrecked astronaut against a single lost alien on a silent and featureless near-future wasteland.

Most Awesome Scene: The final face-off, wherein the two creatures briefly grasp the futility of destroying their only living comrade on this drifting lump of icy rock. But then do it anyway.

Starring: Nobody you’ve ever heard of, except Alan Rickman as the voice of the ship’s computer.

Title: Alien 3D

The Plot: Another straight blaster that offers few surprises story-wise, but shot entirely in eye-popping, fantasy-influenced CGI.

Taking the baton from James Cameron’s Avatar, Scott makes a race of Xenomorph-human hybrids the stars of this show.

Most Awesome Scene: Hmm. Certainly NOT the graphic flashback sequence revealing that these unholy chimera were originally created through much ‘gentler’ human-beast interactions than facehugging. Grim.

Starring: Some solid voice talent - Mark Hamill, Mila Kunis, Sigourney Weaver in a controversial cameo for the much-picketed 'love' scene.



Title: Ellen

The Plot: Self-indulgent Ripley biopic, seemingly engineered purely to justify her laudable-but-criminally-inefficient devotion to Newt in the first sequel. Turns out it’s something about a baby sister who perished. Or whatever.

Most Awesome Scene: The Academy go ga-ga for the Vaseline-lensed bedside melodrama. Everyone else prefers the bits where teenage Ripley starts drinking heavily and gets expelled from Military Space College for shaving rude words into her hair.

Starring: Sigourney Weaver, Elle Fanning, that scruffy terrier who played Baxter in Anchorman.

Title: Ripley Redux

The Plot: Our heroine learns that Resurrection wasn’t the first time she’d been cloned.

In fact, she’s been continually rebooted since the technology was secretly developed in the 1960s, around the time covert operations started up at Area 51...

Most Awesome Scene: Ripley’s nightmarish discovery of a vast hangar hidden beneath Groom Lake, housing an entire living colony of her own clones.

Starring: Sigourney Weaver, Sigourney Weaver, Sigourney Weaver etc.



Title: Ellen

The Plot: Self-indulgent Ripley biopic, seemingly engineered purely to justify her laudable-but-criminally-inefficient devotion to Newt in the first sequel. Turns out it’s something about a baby sister who perished. Or whatever.

Most Awesome Scene: The Academy go ga-ga for the Vaseline-lensed bedside melodrama. Everyone else prefers the bits where teenage Ripley starts drinking heavily and gets expelled from Military Space College for shaving rude words into her hair.

Starring: Sigourney Weaver, Elle Fanning, that scruffy terrier who played Baxter in Anchorman.

Title: Ripley Redux

The Plot: Our heroine learns that Resurrection wasn’t the first time she’d been cloned.

In fact, she’s been continually rebooted since the technology was secretly developed in the 1960s, around the time covert operations started up at Area 51...

Most Awesome Scene: Ripley’s nightmarish discovery of a vast hangar hidden beneath Groom Lake, housing an entire living colony of her own clones.

Starring: Sigourney Weaver, Sigourney Weaver, Sigourney Weaver etc.



Title: Alien Origins

The Plot: Explores the early space-cruising history of the Xenomorph race, focusing on a previous visit to Earth during the Stone Age, and the hilariously short battles that ensued.

Most Awesome Scene: By pushing a boulder off a cliff, the cave people manage to kill one (sleeping) alien quite near the end. Alas, they then wade into the twitching porridge of viscera to drag it back for dinner, and are instantly acidified.

Starring: Numerous actorly beards including Brian Blessed, Zach Galifianakis and Chuck Norris (as the dude who pushes the boulder, obviously).

Title: Shock And Ore

The Plot: An account of the actual space-mining mission that lead the Nostromo crew into peril, it plays like an offbeat sci-fi mockumentary. Increasingly paranoid interviews with the crew in grainy handicam mode aim to create a looming sense of dread.

Most Awesome Scene(s): Ash proves to be quite the prankster, frequently hijacking Dallas and Kane’s bone-dry mission updates with robotic dance routines and re-enactments of classic movie lines. His Travis Bickle is a hoot.

Starring: All three Blair Witch leads, with Jack Black taking top billing as Ash.



Title: Alien Ghetto

The Plot: Shockingly derivative District 9-alike claims there has indeed been prior contact between humans and Xenomorphs. In fact, there’s still a colony of our lot kept in substandard housing on the outskirts of the alien home world.

A hush-hush rescue mission is mounted, resulting in serious diplomatic antagonism.

Most Awesome Scene: The CGI-loaded climax in which the entire alien planet is ripped in twain, forcing them to relocate to Thedus just in time for the plot of the 1979 film to still make sense.

Starring: Sharlto Copley, in an ill-advised move that more or less drives his promising career into miserable typecasting hell. A real shame.

Title: Aliens vs Androids

The Plot: A complex, morally charged explanation of why our android companions later became such unpredictable allies in the quadrilogy proper. Involves lots of weighty but clichéd psychobabble about implanted memories and ‘loyalty chips’.

Most Awesome Scene: Several hundred AI units rising up as one, tearing out their chest-mounted ethics processors and going batshit mental at a technology expo.

Starring: Lance Henriksen, Peter Weller, Arnold Schwarzenegger, Rutger Hauer.



Title: Day Of The Facehuggers

The Plot: It isn't doable as a prequel so it doesn’t really count, but it’d be remiss of us not to mention the franchise's worrying potential for a standard Earth-based apocalypse shooter.

So, as ever, wave upon wave of ET attack ships rain fiery, acid-dripping punishment down on several of America’s most easily identifiable buildings and landmarks. Sigh.

Most Awesome Scene: They blow up the White House! No, wait, been done. They blow up the World Trad-...uh, better not. They blow up the Las Vegas strip! Ah, screw you Con Air - only so many tourist traps look sexy falling over in slow motion, y’know.

Starring: Shia LaBeouf and Denise Richards, with Samuel L Jackson pacing around a strip-lit bunker as Professor Triedtowarnyou, PhD.

Title: Alien Outreach

The Plot: Eco-themed morality tale. It's the consumer-driven 1980s, and few of us have heard of global warming...but the Xenomorphs have. In fact, their planet is screwed, and they approach us for help.

NASA, however, decide to let the repeated calls for aid go straight to voicemail, citing massive costs. Which makes the aliens really hate us, so over the next two decades, they start to warm our planet from afar...

Most Awesome Scene: Our first fly-by of the colossal 'astral wind cannon' - fundamentally a giant hairdryer - with which the aliens plan to teach us the error of our ways.

Starring: Leonardo DiCaprio, Angelina Jolie. Cameo from Al Gore. Voiceover by Morgan Freeman.

Friday, June 26, 2009

James Cameron: The 3D Renaissance Has Arrived

James Cameron promos clips from sci-fi movie to exhibitors

By Carl DiOrio


More CineExpo news


AMSTERDAM -- "The future's so bright I gotta wear shades!" James Cameron cried Tuesday as he strode onto a stage -- with his 3-D glasses on -- to unveil the first publicly shown clips from his 3-D sci-fi actioner "Avatar."

The fittingly epic film promo literally added an extra dimension to Fox's presentation at the ongoing Cinema Expo.

"Avatar" actors Sam Worthington, Sigourney Weaver, Zoe Saldana and Stephen Lang, pic producer Jon Landau, and Fox film chairman Jim Gianopulos also greeted the clearly wowed exhibs at the RAI convention center auditorium.

"Three years ago, I stood up here and said the 3-D renaissance is coming," Cameron said. "And from what we've seen in the business, we can now say it has arrived."

In introducing the 24-minute assemblage, Cameron said much of it came from the first third of the film but that there were also glimpses from unfinished portions of later battle scenes involving warring sides clashing over control of the fantasy world Pandora.

The filmmaker also said the action gets nonstop in the latter portions of the film, which throughout is populated by strange life-forms in a world of unprecedentedly rich fantasy elements. Worthington plays an avatar -- a remote-controlled character created by melding his crippled human form into a super-human being -- whose fate lies ultimately in doing battle with his own former race.

Fox made media covering the event agree not to report details of the "Avatar" images or to interview audience members for reactions. But from the sustained applause at the conclusion of the presentation, suffice to say Fox didn't hurt itself at the event.

A cinematic hybrid of CGI, motion-capture animation and live action, "Avatar" is Cameron's first dramatic feature since 1997's "Titanic." At that year's Cinema Expo, Cameron showed eight minutes of the effects-laden disaster drama before it rang up a still-record $1.84 billion worldwide boxoffice and copping Oscar's best pic statuette.

Cameron encouraged theater owners to add 3-D capability as quickly as possible. But acknowledging "Avatar" will have to play in a mix of conventional and extra-dimensional venues due to insufficient number of 3-D auditoriums, he added, "I just want to say that I think 'Avatar' is going to play great in 3-D, 2-D, any 'D.' "

"Avatar" is set to open around the world on Dec. 18, though it's become sport in Hollywood to speculate on whether the famously painstaking filmmaker will wrap the production in time. Cameron's high-profile promo appearance should go a long way toward soothing any anxieties.

"They wouldn't be doing this if it weren't coming out," a top distribution exec from a rival studio said.

Much of the technology used to capture actor performances was developed especially for "Avatar" and its effects crews at WETA Digital in New Zealand and Industrial Light + Magic in Northern California.

Before the "Avatar" presentation, international distribution co-presidents Tomas Jegeus and Paul Hanneman showed a reel of clips from other upcoming Fox pics. Those included first-quarter titles such as the family comedy "Tooth Fairy," starring Dwayne Johnson; Chris Columbus' family adventure "Percy Jackson & the Olympians" and Fox Searchlight's Mira Nair-helmed Amelia Earhart biopic "Amelia," starring Hilary Swank.

The studio also screened its 3-D three-quel "Ice Age: Dawn of the Dinosaurs."

Also Tuesday, Sony screened the romantic comedy "The Ugly Truth," starring the notably not-ugly Katherine Heigl and Gerard Butler. Sony's worldwide distribution president Rory Bruer is making a first-time visit to Cinema Expo, grabbing some quality time with regional exhibs.

Elsewhere around the RAI, the confab's large trade-show floor opened with tire-kickers drawn by a Dolby-sponsored lunch mingling among more serious customers. Dolby is showcasing its latest digital servers and other d-cinema products.

Recession-impacted vendors sent fewer reps this year, but Disney's large exhibit promoting Tim Burton's live-action take on "Alice in Wonderland" -- set for release in March -- compensated nicely. The display included costumes, props, production designs and even an entire dining room set.

Steady floor traffic fluctuated only when events drew attendees elsewhere.

"It picked up after the movie screening let out," Imax rep Sandie Green noted.

Cinema Expo always boasts a few food-and-beverage exhibitors -- Polish popcorn purveyor PCO Group has a large space -- but most of the floor is taken up by tech companies. Among them: d-cinema vendors Barco, Christie and NEC, German audio-equipment marketer Ernemann and Milan-based film-projection specialist Cinnemecanica.

Sony Electronics mounted its usual large booth, staffed by reps from Sony's London offices. The company is touting tech and financial offerings for digital cinema as well as video displays for theater lobbies.

"We want to start a dialog with people we haven't met before and also reach agreements with some other people," Sony spokeswoman Elizabeth Pierce said.